REVIEW / September 4th, 2025
Gabija Grušaitė's Ferma immerses visitors in family, memory, and inherited space, where objects, video, and sound map a world shaped by history and soul.
REVIEW / September 3rd, 2025
The Pilgrimage at the Museum of Yugoslavia reimagines spomeniks through AI, sound, and memory—exploring their fading yet urgent political resonance.
INTERVIEW / August 29th, 2025
Nezaket Ekici's Book Tower transforms a closed library into a public stage, making knowledge visible, participatory, and democratically accessible.
REVIEW / August 27th, 2025
Jeffrey Henson Scales' series captures Harlem's House Barber Shop, preserving its community, rituals, and intergenerational connections.
INTERVIEW / August 19th, 2025
"I've been trying to speak about violence without romanticizing it, about resistance without idealizing it, about pain without glorifying it," Lamonier says.
REVIEW / August 16th, 2025
Ben Luke's What is Art For? explores 25 contemporary artists’ influences, inspirations, and views on art’s purpose in a mix of conversations and insights.
FEATURE / August 8th, 2025
Yugoslav WWII monuments, or spomeniks, fused modernist form with anti-fascist memory, marking sites of partisan struggle, resilience, and collective mourning.
REVIEW / July 22nd, 2025
The 36th Ljubljana Biennale of Graphic Arts acts as an oracle, exploring agency, solidarity, and new futures amid growing political uncertainty.
INTERVIEW / July 14th, 2025
"I believe that art is a way for understanding the world from multiple perspectives - comprehensively, from above, and in a universal sense," Yanagi reflects.
